Critical Vision" Tony Harrison Photography" (1953 - 2026)

An exhibition of the photography of Tony Harrison, in celebration of his life and work, will take place in Terrace Greenhouse commencing 29th July 2026.

The exhibition features examples of his work in portraiture, fashion, modelling, hairstyling, advertising and the music industry, both in Perth and London. It includes photographs of well- known characters such as Rowan Atkinson, Ozzy and Sharon Osbourne, Greta Scacchi and David Mallett, globally renowned Australian hairdresser famoufor his "Parisiachic". Exhibited are photographs featured in magazines such as Australian Style, Annabella, Donna and the German edition of Vogue as well as candid photography that captured moments in time such as the Brixton Riots in London, Big Day Out and Bindoon Rock concerts. There are also examples of beautiful photographic memories and portraits Tony gifted to friends and family.

Tony had a keen eye and was an expert in the use of light to create a beautiful photograph. He was skilled in relating to, and relaxing his subjects enabling him to capture the essence of character. The exhibition showcases his exceptional dark room skills in stunning black and white images. Tony had an eye for beauty. In his later years he developed a process to create artistic photographs of orchids and insects.

A favourite is his iconic image of the Western Australian Opera singer, Lisa Harper Brown wearing nothing but skin paint, crouched next to a cheetah in Perth Zoo. He commented, ‘The cheetah purring was as noisy as a tractor.' The photograph was used for the promotion of the production of, "Alcina - The Sorceress" in 1996.

Tony Harrison's photography was sought after for portfolio work and promoted the advancement of careers of people in various industries. He was passionate about sharing his skills and generously encouraged and mentored photographers. Tony loved beauty, life and loved to help others.

Exhibition Details

"Critical Vision- Tony Harrison Photography."

Terrace Greenhouse Gallery

223 South Terrace, South Fremantle. (Corner of King William Road)

Wednesday 29th July to Saturday 1st August - Open 10am till 4pm.

Sunday 2nd August - Open 10am to 12noon.

Between Place and Object

'Between Place and Object brings together two sides of my painting practice — still life and landscape — reflecting different aspects of my personality.

My smaller, still life alla-prima works explore containment, care, and the quiet observation of domestic life, painted directly from life to capture rhythm, light, and intimacy. In contrast, my abstracted landscapes dissolve edges and expand outward, responding to place through plein air studies and studio explorations of scale, gesture, and materiality.

Together, these threads balance intimacy and freedom, reflection and expression, mirroring my multi-faceted nature as both observer and explorer.'

Description: An exhibition of oil paintings that capture the light, colour, and calm of Western Australia's coastline. This collection is inspired by the ever-changing moods of the ocean. From solo surf sessions to golden sunsets, each piece reflects a deep connection to coastal life and the natural beauty of our vast shores.

ECLECTICA'  is a labour of love , the result of 10 artists pouring soul and hard work into every piece. The energy generated by the diversity of talents is evident in our group exhibition.

 Our artists:

Aline Frichot

Annette Jacobs

Christine Goss

Donna Price

Gayle Hughes

Jan Harmsen

Joanne George

John Foote

Kath Walters

Theresa Rocci

DISLOCATION Joint exhibition by Karin Morris & Anne McCaughey.

Both artists are immersed in landscape as subject matter, but these landscapes surprise us by throwing up contradictions of scale and place and human inhabitants.

In Morris’s paintings the human figure is placed uncomfortably in its scape. Sitting or standing figures lead us to question their belonging in the painting. Uneasy in their space, they reflect human considerations of our relationship with nature. Morris’ gestural application of paint and transmutation of colour emphasise this sense of dislocation.

In McCaughey’s dreamscapes, interiors are crammed with landscape and a succession of female figures trying to move onwards but failing. There is a sense of movement but at the same time a static element to the figures, as they appear obsessed with overlarge systems of transport. The use of realistic modelling and colour enhances the tension within this unpredictable world.

Landscape as a foil for human occupation is an overarching theme. In both series of works there is evidence of a fractured human relationship with the landscape and an uncertainty of what is real in existence.

Common Ground brings together the work of contemporary artists Anna Da Conceicao and Juliette Paton-Williams in a celebration of nature's beauty, character, and resilience.

Through vibrant floral compositions and contemplative studies of trees, the exhibition explores the individuality found in living forms, from delicate blooms to enduring urban giants. Working in distinct yet complementary styles, both artists invite viewers to slow down, look closely, and reconnect with the natural world.

Together, these works suggest that beauty is often found not in perfection, but in the marks of growth, adaptation, and time.